Again a series of images of the currently active regions of the sun. All images taken in the mid-morning of 2020-11-30.
Unfortunately, these will be the last images for several days, as a persistent cloud system arrived that day…
The prolongued quiet phase of the transition from solar cycle 24 to 25 hasn’t have much to show off. But now, the sun has several sunspots as well as prominences to marvel on!
It is really fascinating, that the sun burst into activity within only a few days.
I was lucky to get a brief period of cloud free late morning to image the sunspots 12785 (the spot to the right), 12786 (the large whale-shaped spot to the right, including the tiny spots left to it) and 12788 (the group of tiny spots to the south-east of 12786) in a 2-tile mosaic.
On the limb, there is quite some activity too! See the 2 parts with prominences here:
On November 22 on the south-eastern limb of the sun, a stable prominence was visible. The prominence seems to consist of three different prominences (one flame type, one fan type and one arch type). They all seem to origin from sunspots 12785 and 12786. Whereas I assume, that the arch type prominence to the right is most likely from 12786.
The timelapse shows the activity of the prominences from 09:45-12:30 UTC. The clip has 342 individual images. Each image was stacked from 12 frames out of bursts of 300 frames. Post processing and colorization in PixInsight.
These 2 images from beginning and end of sequence show the beautiful structur as well as the changes within.
My solar imaging setup has a quite high magnification. Even though I use a 20 Megapixel QHY183 camera, I may only frame less than a third of the disk diameter at once. This is really neat for prominences and sunspots. But I may not record the whole solar disk. Therefore my only way to go is a panorama or mosaic.
The tricky part of recording a mosaic of the sun is, that you don’t have too much time to complete. First, the sun rotates (even the 25 days period may cause defects at high resolution imaging). Second, some features like granulation or prominences may change within minutes.
For high quality results, the lucky imaging approach has to be used. Meaning, each individual recording for a tile should consist of as many images (lets call them frames, as the data is recorded as a video) as possible. In post processing, only the best frames will be selected and combined for low noise results.
Last weekend I ran the first real test for a giant mosaic image of the sun in H-alpha. I recorded each individual tile with SharpCap. I had to use the seeing filter due to a rather slow USB connected drive. Each tile consists of a set of only 100 out of 2000. From these 100 selected images, only 4 were used to create the final image tiles (which proofed to be a wrong decision, as noise levels remained quite high).
To record the complete surface, I needed to capture 12 tiles. So I ended up using 48 individual frames out of 24.000. After crunching through the 30+GB of data recorded on disk (which was only 5% of the images captured) for several hours, I finally have a stunning picture of the sun in high resolution 🙂
1) Stacking in AutoStakkert!3
2) Stitching in Photoshop (manually, as neither Photoshop, nor Hugin were able to align the tiles)
3) Gradient removal in Photoshop
4) Wavelet sharpening in PixInsight
5) Histogram optimization in PixInsight
6) Cleaning of edges and border of image in Photoshop
7) Colorization in Photoshop
If you want to fully enjoy this image, here is the 7500×7500 pixel version.
On Thursday 2020-10-22 in the evening, I captured image sequences of Mars (see seperate post). During one of the infrared test sequences (I wanted to compare noise levels at +2C vs. -20C) I saw a brief dark shadow passing the disk of Mars. First out, I thought it might have been a bat. But later on, when I analyzed the video, I found out, that the shadow was a satellite transiting Mars 🙂
The transit started at 2020-10-22 18:27:45.498 UT. The satellite left the disk of Mars at 18:27:45.687. So the duration was a very brief 190 Milliseconds! As I recorded with 178 frames/second, I could capture 27 individual images of the transit.
I definitively was very lucky to have registered the shadow during capture time. Otherwise I would never have seen this event in post processing…
Optics used: 10″ f/5 Newton with 2.5x Barlow (effective focal length was 3125mm)
Recorded with IR-650nm pass filter on QHY183M camera at +2C with 178 fps
Saturday night (2020-11-21) I recorded LRGB data of comet C/2020 M3 ATLAS. Upon inspecting the image data, I detected a spinning movement of the comets nucleus. To show the movement, I combined the 34 individual LRGB images (240 seconds each) to one stack with the comet forming a curving trail.
During the course of 142 minutes, the comet moved 470 arcseconds (3.3 arcseconds per second).
Last night I had to travel to Vienna. Fortunately I had to pass the eastern foothills of the Alps. As the motorway already went up to almost 1000m a.s.l, it was a 10 minutes detour to reach a dark place above the persistent and annoying fog layers (which are typically at 600 to 1200m a.s.l and quite frequent in autumn and winter).
I had packed my AZ-GTi travel mount, 72mm f6 APO and Sony A6400 as super lightweight and quick setup combo. I could capture almost half an hour of data, before the fog climbed up the hill. Unfortunately the amount of data was too low for good noise base. But anyway – as a first and quick result, it is very well pleasing 🙂
I love these autumn days with pristine weather. Temperatures are still pleasent. The many red, brown, yellow and some green leaves combined with blue skies create the perfect scenery for walks and hikes.
This wonderful October day had just everything of the above, set in the mountain region in Salzkammergut in Austria! The following images were taken in Hallstatt as well as around Altausseersee…
In the morning hours of October 14th, before dawn started to illuminate the sky, Moon and Venus were quite close next to each other. With a distance of 4 degrees and only 10% of the lunar surface illuminated, it was a beautiful sight!
Image captured with 200mm lens on tripod. No tracking. Minimal post processing with level adjustment and cropping.